Recently, Robert Creekmore answered our questions via email. His writing mixes science fiction, horror, thriller and more against a backdrop of rural North Carolina locales. He can frequently be found at Moondog Meadery in Durham reading his latest work. Today we take a closer look at his first in a trilogy, The Prophet’s Debt.

Dialogue is one of the most powerful tools a writer has, and one of the easiest to misuse. It can pull readers deeper into a scene or quietly push them away. At its best, dialogue feels natural while doing intentional work behind the scenes. At its worst, it rambles, explains too much, or exists simply because silence feels uncomfortable.